MohicanLand Musical Musings: The Music of The Last of the Mohicans
Dougie MacLean has a long-standing reputation as one of Scotland's finest musicians and composers, but among
fans of the Last of The Mohicans he is best known for writing that wonderful piece called
"The Gael"probably the piece from the movie most widely recognized after the "Main Title".
Dougie began his career in the early 70s, playing in school and busking in the streets until recruited
into the well-known
Tannahill Weavers. Following a 3-year run with the Weavers, he enjoyed a solo career and a short stint with the Silly
Wizards (at the same time that Phil Cunningham was with the Wizards), and returned
briefly to the
Tannahill Weavers. In 1981, he started his own record company, Dunkeld, in Dunkeld, Scotland, where he settled
with his family. Since then, he has made over 10 records on his own. He has also performed at Carnegie
Hall in New York City and tours around the world. The BBC has made a 40-minute film of his life and music in "The
Land: Songs of Dougie MacLean."
Dougie's 5th record on the Dunkeld label is The Search, which includes "The Gael."
Made in 1990, The Search
is a collection of instrumental works commissioned for the opening of the
Official Loch Ness Monster Exhibition. According to the
liner notes, "The inspiration for this music began in 1988 when Dougie MacLean was invited to create a textural music
background for a planned audio-visual exhibition... What followed was a fascination with the ancient celtic myths, the
sightings, the earlier and more recent scientific exploration and the loch itselfindeed with the
whole idea of 'The Search'...." Dougie and his wife have purchased a hotel in Dunkeld and established
"MacLean's Real Music Bar". This
is a place for spontaneous music sessions for all musicians, and on pretty
rare occasions Dougie may share a tune or song
there with other musicians. Dougie himself is performing in larger and
larger venues.
For more information about Dougie, visit:
www.ceolas.org/artists/Dougie_MacLean.html.
Also, visit Dougie's own Dunkeld website to learn about his recordings
and his touring schedule. Another source of info on Dougie MacLean include a profile on
Ceolas, a website for Celtic music, which has links to
two articles about Dougie.
To find out what others on this website have said about Dougie and his music, here are a few comments:
The Gael
"The Gael" appears in two places in LOTMduring "The Kiss" and "Promontory".
(The word gael means the Scot, that is, the Scotsman.)
Press the Play button to play the original tune.
Used by permission of Dougie MacLean.
Sheet music provided by Steven T. Cucina
Rumor has it that a Scottish fiddler name Alasdair Fraser (who, on
occassion, plays in the Houston area and elsewhere), is responsible for playing "The Gael" in the movie and on the soundtrack CD,
but this rumor is not substantiated, as neither the movie nor the CD names who played the fiddle.
However, for those who would like more of this type of music, Fraser has a wonderful CD out named
Skyedance (1986),
published by Culburnie Records, CD number CUL101D, as well as others on the Culburnie label.
"The Gael" is in the key of A minor. (In picking out the tune on the piano, some people might be led to believe
that this piece is in C major, which has the same key signature as A minor, no sharps or flats, but in fact
the piece begins and ends on A, indicating it is A minor rather than C major. A minor
is the "relative" minor key of C major, meaning it has the same key signature (no sharps or flats) but has
a very different sound (that sadder sound normally associated with minor keys). The key of A minor makes it very
easy for Trevor Jones to fit the music into pieces written in D minor, especially the "Main Title", because
both these keys have very similar chords, based around the A (A being the tonic of A minor and the dominant or the
fifth of D minor).
The musical structure of "The Gael" is a repeating pattern of eight measures, apparently with four beats to the measure
(thus, in simple 4/4 time). The notes of the fiddle melody are in triplets, meaning that there are three notes
or equivalents to each beat. The sequence of eight measures varies in orchestration in the movie according to
other themes interwoven in the story being told.
In Dougie MacLean's recording on The Search, "The Gael" begins with an interesting drum beat,
which is more uneven than the straight beat of the drum
we hear in the movie during "The Kiss" and "The Promontory". It also begins with a quirky melody on the
synthesizer before the entrance of the fiddle melody we all recognize.
Although "The Gael" is likely to remain a favourite piece on Dougie MacLean's The Search CD, all
the pieces are equally good. Other recommendations
include Dougie's first two recordings, Craigie Dhu and The Fiddle.
On to Phil Cunningham
Back to the beginning of MohicanLand Musical Musings
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